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Latent Apparitions series

Amidst worries on capitalism’s impact and failures and the question of how to react, as a maker, I started wondering how artists in Early Capitalism responded to the (then) new societal changes. This inspired the video series Latent Apparitions, where I enter into a conversation with art works from that period to reflect on current developments. Each work takes different painting genres of the seventeenth century as a starting point, such as still life, animal scenes and landscape. While none of these paintings have the human figure as a direct protagonist, they become actors or sceneries to tell stories of how these visual representations from the Early Modern period started capturing and shaping new ways of experiencing the world that still impact the way we live. For example, ways in which we relate to one another, to materiality, ambition, nature, new technologies, as well as to a sense of endless continuity and progress.

Latent Apparitions N°5

Immortal Projections has as inspiration processes of secularisation that took place in the seventeenth century in northern Europe. This was a period when religious beliefs on immortality were being transferred to the notion of endless ‘progress’. It draws connections between these early visual representations of continuity (XVII), to contemporary virtual and 3D technologies that, again, construct a far reality to project our hopes and to which we may escape.

As the video progresses, the viewer is brought closer to that ‘hopeful’ far point in the horizon. Now, rather than containing any divine or escapist promise, it becomes concrete and has come to rest on the ground. It includes family objects, characters of flesh and bones that belong to a specific geographical context. Slowly, the narrative presents ideas of continuity, only now based on ancestry, community and our connection to Nature.

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